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From 1997-2003, Margiela explored ways to make his avant garde aesthetic cross over to the polished and luxurious world of Hermès.
Martin Margiela’s radically simple, luxurious designs for Hermès have rarely been shown online or in a museum—until now. In April 1997, Belgian designer Martin Margiela was announced as the new creative director of France’s historic luxury fashion house Hermès. .
The quiet glamour of Martin Margiela’s work for Hermès was photographed for Vogue by the likes of Steven Meisel, Mario Testino, and Elaine Constantine. “Margiela: The Hermès Years,” has attracted nearly 50,000 visitors since it opened in March. As it nears its conclusion, we are adding eight of the 12 collections Margiela .
Margiela, who turns 60 in April, sold his company to Renzo Rosso, founder of Diesel and President of the OTB Group, and then bowed out to concentrate on his painting. The designer has an explanation for timeless . ’Margiela, the Hermes Years,’ an exhibition organized by the MoMu in Antwerp, opens in the maison’s native city this week at the Musée des Arts Décoratifs. At Maison Martin Margiela he resisted in a very conceptual way. And at Hermès, it was this slowly evolving wardrobe. That’s why the garments are conceived and designed as . Headlines with the word “anti-fashion” proliferated, but at the time, Hermès CEO and heir Jean-Louis Dumas saw the designer’s arrival as the coronation of a lucid philosopher king. 032c looks into arch-wadical Martin .
The MoMu museum in Antwerp will concentrate on a rich but often neglected period: “The Hermès Years”. The clothes created from 1997–2003 by Margiela for the .
From 1997-2003, Margiela explored ways to make his avant garde aesthetic cross over to the polished and luxurious world of Hermès. Martin Margiela’s radically simple, luxurious designs for Hermès have rarely been shown online or in a museum—until now. In April 1997, Belgian designer Martin Margiela was announced as the new creative director of France’s historic luxury fashion house Hermès. Since 1988, the designer had been making a name for himself as a pioneer of deconstruction, presenting clothes that were supposed to be worn back to front, or shoes that had split toes or came taped to feet.
The quiet glamour of Martin Margiela’s work for Hermès was photographed for Vogue by the likes of Steven Meisel, Mario Testino, and Elaine Constantine.
“Margiela: The Hermès Years,” has attracted nearly 50,000 visitors since it opened in March. As it nears its conclusion, we are adding eight of the 12 collections Margiela designed for the French. Margiela, who turns 60 in April, sold his company to Renzo Rosso, founder of Diesel and President of the OTB Group, and then bowed out to concentrate on his painting. The designer has an explanation for timeless fashion. Martin Margiela for Hermes (left) and for Maison Margiela (right, as modelled by Barbie) (Foto: STANY DEDEREN) ’Margiela, the Hermes Years,’ an exhibition organized by the MoMu in Antwerp, opens in the maison’s native city this week at the Musée des Arts Décoratifs. At Maison Martin Margiela he resisted in a very conceptual way. And at Hermès, it was this slowly evolving wardrobe. That’s why the garments are conceived and designed as transportable – you can wear them in two or three different ways.
Headlines with the word “anti-fashion” proliferated, but at the time, Hermès CEO and heir Jean-Louis Dumas saw the designer’s arrival as the coronation of a lucid philosopher king. 032c looks into arch-wadical Martin Margiela’s Tenure at Hermès from 1997-2003. The MoMu museum in Antwerp will concentrate on a rich but often neglected period: “The Hermès Years”. The clothes created from 1997–2003 by Margiela for the traditional Parisian fashion house will go on display together for the first time as a fashion entity. From 1997-2003, Margiela explored ways to make his avant garde aesthetic cross over to the polished and luxurious world of Hermès.
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Martin Margiela’s radically simple, luxurious designs for Hermès have rarely been shown online or in a museum—until now. In April 1997, Belgian designer Martin Margiela was announced as the new creative director of France’s historic luxury fashion house Hermès. Since 1988, the designer had been making a name for himself as a pioneer of deconstruction, presenting clothes that were supposed to be worn back to front, or shoes that had split toes or came taped to feet. The quiet glamour of Martin Margiela’s work for Hermès was photographed for Vogue by the likes of Steven Meisel, Mario Testino, and Elaine Constantine. “Margiela: The Hermès Years,” has attracted nearly 50,000 visitors since it opened in March. As it nears its conclusion, we are adding eight of the 12 collections Margiela designed for the French.
Margiela, who turns 60 in April, sold his company to Renzo Rosso, founder of Diesel and President of the OTB Group, and then bowed out to concentrate on his painting. The designer has an explanation for timeless fashion. Martin Margiela for Hermes (left) and for Maison Margiela (right, as modelled by Barbie) (Foto: STANY DEDEREN) ’Margiela, the Hermes Years,’ an exhibition organized by the MoMu in Antwerp, opens in the maison’s native city this week at the Musée des Arts Décoratifs. At Maison Martin Margiela he resisted in a very conceptual way. And at Hermès, it was this slowly evolving wardrobe. That’s why the garments are conceived and designed as transportable – you can wear them in two or three different ways.
Headlines with the word “anti-fashion” proliferated, but at the time, Hermès CEO and heir Jean-Louis Dumas saw the designer’s arrival as the coronation of a lucid philosopher king. 032c looks into arch-wadical Martin Margiela’s Tenure at Hermès from 1997-2003.
martin margiela hermes collection
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hermes maison margiela|margiela hermes retrospective
