ysl mondrian dress history | yves saint laurent wedding gowns ysl mondrian dress history In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful. Well, it’s official: the Dior Saddle is back. Even though it was popularized in the late 1990s and discontinued in the mid 2000s, most die-hard fashionphiles remember the Saddle bag clearly. The equestrian shape, the dangling logo charm, the short shoulder strap, and the repeated stamp of “Dior” were nothing short of iconic.
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In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful.The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. This collection was a homage to the work of several modernistic artists. Part of this collection were six cocktail dresses that were inspired by the paintings of Piet Mondrian (1872–1944). Because these six shift dresses played a major role in this collection, the collection is called the .In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful.The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. [1] This collection was a homage to the work of several modernistic artists. [ 1 ] Part of this collection were six cocktail dresses that were inspired by the paintings of Piet Mondrian (1872–1944). [ 1 ]
The Mondrian dress was conceived for YSL’s Fall/Winter 1965 collection, just after sack dresses had evolved to the slimmer and chicer shift dress silhouette. Laurent looked at the new shape and realized its planarity was perfect for a field of color blocks, like the works of Mondrian, who worked with primary colors in linear arrangements.Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work.Yves Saint Laurent was inspired by a book about Piet Mondrian, which his mother had given him. Based upon a picture of the artist, he created a model of a cult dress with black lines and blocks of primary color.As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time.
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The French artist, whose surrealist inspirations fascinated both Saint Laurent and Pierre Bergé, molded parts of a model’s body to create copper shapes, which were then added to flowing mousseline.Saint Laurent maintained this “dialogue with art” all throughout his career, beginning with a series of dresses paying tribute to Piet Mondrian for the Autumn-Winter 1965 collection.
The designer released a collection Fall-Winter 1965–1966 consisting of dresses, repeating the artist’s paintings in the style of neoplasticism. They were a real fashion revolution for the.The dress was inspired by the abstract paintings of the Dutch De Stijl artist Piet Mondrian (1872-1944). Yves St Laurent designed a group of bold dresses based on intersecting black stripes and blocks of primary colours.In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful.The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. [1] This collection was a homage to the work of several modernistic artists. [ 1 ] Part of this collection were six cocktail dresses that were inspired by the paintings of Piet Mondrian (1872–1944). [ 1 ]
The Mondrian dress was conceived for YSL’s Fall/Winter 1965 collection, just after sack dresses had evolved to the slimmer and chicer shift dress silhouette. Laurent looked at the new shape and realized its planarity was perfect for a field of color blocks, like the works of Mondrian, who worked with primary colors in linear arrangements.Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work.Yves Saint Laurent was inspired by a book about Piet Mondrian, which his mother had given him. Based upon a picture of the artist, he created a model of a cult dress with black lines and blocks of primary color.As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time.
The French artist, whose surrealist inspirations fascinated both Saint Laurent and Pierre Bergé, molded parts of a model’s body to create copper shapes, which were then added to flowing mousseline.Saint Laurent maintained this “dialogue with art” all throughout his career, beginning with a series of dresses paying tribute to Piet Mondrian for the Autumn-Winter 1965 collection. The designer released a collection Fall-Winter 1965–1966 consisting of dresses, repeating the artist’s paintings in the style of neoplasticism. They were a real fashion revolution for the.
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